Elsa Williams Cross
Posted in Cross Stitch Kits on 07/08/2009 07:56 am by adminElsa Williams Cross

Crewel Embroidery
Author: Sunil R Emani
Crewel
is a special kind of embroidery done with a pointed hook and used for drapery and upholstery. Rows of chain stitch done with a pointed hook form solid patterns usually rotating from the center and creating an embossed effect to add richness to the textile. Crewel is done on the thick material popularly used for furnishing and usually carries flowing floral and creeper designs. The thick material includes hand-woven Cotton Dosooti Fabric, Cotton Duck, Linen, Jute, etc. The Crewel embroidery, done in thick woolen yarn by a pointed crochet, provides a very dazzling and durable material for drapes and upholstery’s. All embroidery is done by hand in either single or double ply wool. Designs are available in assortment of colors ranging from a single color to multicolour embroidery. The price is related with the amount of embroidery done on the material. The width of the material is 52”, 54” inches and length is 25 or 28 meters per roll. The craft is also available on Bedspreads, Cushion Covers in various sizes.
Crewel
Crewel, also known as wool embroidery, has been around for centuries. The word crewel is derived from an old Welsh term meaning “wool.” The word referred to the wool yarn used for stitching and not the style of embroidery. Traditionally, heavy wools were used for this type of embroidery, but today there is a wide variety of yarns and even threads to choose from, depending on the desired effect.
Although crewel is considered the most difficult stitchery technique to master, it is ideal for pillows, curtains, clothing, and wall hangings. The use of tightly-woven fabrics enables stitchers to create an infinite variety of shapes. There are a great number of stitches that can be employed in crewel embroidery; these stitches add texture and depth to the finished piece. The outlines of the design are often screen printed on the fabric, and the stitcher fills in, or outlines, each area with stitches.
Crewel History
Crewel Embroidery, or Crewelwork, is a decorative form of surface embroidery using wool and a variety of different embroidery stitches to follow a design outline applied to the fabric. The technique is at least a thousand years old. It was used in the Bayeux Tapestry, in Jacobean embroidery and in the Quaker tapestry.The origin of the word crewel is unknown but is thought to come from an ancient word describing the curl in the staple, the single hair of the wool. Crewel wool has a long staple; it is fine and can be strongly twisted. Modern crewel wool is a fine, 2-ply or 1-ply yarn available in many different colors.
Crewelwork came to the United States from England, where it gained its popularity during the rule of King James I. This time in history was the Jacobean period and the embroidery of the time was called Jacobean. Crewel was taken from the type of yarn that was used “krua” which means wool. This wool yarn was a thin worsted yarn made of two threads. The term crewel embroidery actually means wool embroidery and today refers to the design of the period not just the wool yarn that was used in the stitching. The first crewel or Jacobean designs came from the orient and were called “palampores.” These were painted or printed by the East India Company and sent to England. The Tree of Life was the standard design and was a stem rising from mounds or hills called “terra firma.” It was exaggerated foliage and flowers with birds and other wildlife done in big and bold designs. Most of the crewelwork done was extremely heavy as these were used to decorate walls and beds that were to keep out the cold winds. There were no standard stitches that were used in doing the crewel embroidery but the most common stitches of the times were chain, stem, long-and-short, straight, satin, french knot, running, feather and herringbone. The fabric of choice during those times were very heavy to accommodate the uses. The colors were normally in the green and blue hues and only small amounts of yellow and muted shades of red were used. When crewel was introduced to the colonies it was scaled down to suit the needs of the times. The yarns that were used were also more crude than the European yarns and the first dye that was used was indigo and thus brought about an offshoot of crewel called Deerfield. Today crewelwork is done in almost any type of yarn and on any fabric. Only the style is the remnants of the original crewel of years gone by.
The crewel revival of the 1960’s and 70’s began mildly enough with Mildred Davis and Elsa Williams. Their discoveries and love of crewel focused attention on textiles preserved in museum collections for women who were still homebound. Erica Wilson, with her design ability and skill, represented a new freedom that was arriving quickly. When Susan Swan’s book, Plain and Fancy, reached this market in 1976, a passion was flamed for textile research and study that continues today. Betty Ring’s monumental work, Girlhood Embroidery, opened the past for many women who could clearly feel a connection to their history through embroidery. This excitement is reflected in amazing advancements in counted work on evenweave linen by women relearning 17th century techniques who are no longer bound by previous conventions. Crewel embroidery has had many revivals since its English and American zenith of the 17th and 18th century. Each revival alters and redefines stitch names and techniques with losses and gains sustained during each period.
The word crewel, with a variety of spellings, can be found in English records back to the 13th century. It is thought to have come from the East to Egypt then to Greece and Rome where it traveled with the Roman conquests to England. From the 15th century crewel embroidery meant any embroidery technique using fine worsted yarns. I’ve been known to say repeatedly that the name surely refers to the effect of the sharp needle on your fingers while stitching. This is definitely an untruth for past usage of the word crewel included tent and cross stitch using an inoffensive tapestry needle. By the 20th century crewelwork had been redefined to mean surface embroidery with wool. Crewel, by definition, is the application of a variety of stitches to the surface of fabric, usually linen, following a design applied to the fabric.
About the Author:
Article Source: ArticlesBase.com – Crewel Embroidery
|
|
Elsa $17.99 Elsa |
|
|
Elsa and Fred $16.87 Elsa and Fred |
|
|
Villa Elsa $22.97 Villa Elsa |
|
|
Williams $5.99 Williams |
|
|
Elsa Fraulein Ss $15.99 Elsa Fraulein Ss |
|
|
Elsa’s Own Blue Zone $9.91 Elsa’s Own Blue Zone |
|
|
Mrs. Elsa Barker: A Study $8.95 Mrs. Elsa Barker: A Study |
|
|
Baroness Elsa $19.08 The first biography of the enigmatic dadaist known as the Baroness –Elsa von Freytag-Loringhoven. |
|
|
Charles Williams $33.48 He was a close friend of T.S. Eliot, deeply admired by C. S. Lewis, inspirational for W. H. Auden in his journey to faith, and a literary sparring partner for J. R. R. Tolkien. Yet half a century after his death, much of Charles Williams’s life and work remains an enigma. The questions that arose from his immersion in Rosicrucian and hermetic culture and ideology–central to understanding Williams’s thought and art–remain provocatively unexplored. For a decade of his early adulthood, Williams was a member of the Fellowship of the Rosy Cross, a form of neo-Rosicrucianism. There is widespread confusion about its nature, which is to be expected given that this was a semisecret society. Though Williams left his formal association with it behind, it enriched and informed his imaginative world with a hermetic myth that expressed itself in an underlying ideology and metaphysics. In Charles Williams: Alchemy and Integration, Gavin Ashenden explores both the history behind the myths and metaphysics Williams was to make his own and the hermetic culture that influenced him. He examines and interprets its expressions in Williams’s novels, poetry, and the development of his ideas and relates these elements to Williams’s unpublished letters to his platonic lover, Celia, written toward the end of his life. Since one of the foremost ideas in Williams’s work is the interdependence or coinherence of both our humanity and the creation, understanding the extent to which he lived and achieved this in his own life is important. Williams’s private correspondence with Celia is of particular interest both for its own sake, since it was previously unknown, and for the insight it offers into his personality andmuse. |
|
|
Andy Williams – Happy Heart: The Best of Andy Williams $16.53 This 36-track collection contains several of Andy Williams` biggest hits originally released on the Columbia and Cadence labels from the `50s, `60s, and `70s, including "Moon River," "Can`t Get Used to Losing You," "Days of Wine and Roses," "Happy Heart," and "The Impossible Dream." Happy Heart: The Best of Andy Williams contains a cross section of Andy Williams recordings, providing a good introduction to the vocalist. ~ Al Campbell Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
|
|
Andy Williams – Happy Heart: The Best of Andy Williams * $35.07 Liner Note Author: Patrick Humphries.This 36-track collection contains several of Andy Williams` biggest hits originally released on the Columbia and Cadence labels from the `50s, `60s, and `70s, including "Moon River," "Can`t Get Used to Losing You," "Days of Wine and Roses," "Happy Heart," and "The Impossible Dream." Happy Heart: The Best of Andy Williams contains a cross section of Andy Williams recordings, providing a good introduction to the vocalist. ~ Al Campbell Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
|
|
La Diva Elsa Leather Mini Backpack $89.99 Elsa Leather Mini Back Pack |
|
|
Andy Williams – Super Hits $8.89 Producers: Robert Mersey, Dick Glasser, Nick DeCaro.Recorded between 1962 & 1971.All tracks have been digitally remastered.This ten-track collection contains several of Andy Williams` biggest hits originally released on the Columbia label during the `60s and `70s, including "Moon River," "Can`t Get Used to Losing You," "Days of Wine and Roses," "Dear Heart," and "The Impossible Dream." Super Hits contains a cross-section of Andy Williams recordings, providing a good introduction to the vocalist. ~ Al Campbell Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
|
|
Williams Brothers (Gospel) – Reach Out [8/11] $12.72 Disc 1:*Oh Mary Don`t You Weep *Back To the Cross – (with Melvin Williams) *And They Were Gone – (with Doug Williams/Joe Ligon/Melvin Williams/Slim *& *The Supreme Angels) *So Good *Oh How I Need You – (with Melvin Williams) *Fear No Evil – (with Melvin Williams) *Just Like He Said He Would *Peace In My Heart – (with Melvin Williams) *Glad I Met You – (with Melvin Williams) *Reach Out and Touch Somebody`s Hand – (with The Mighty Clouds Of Joy/Dottie Peoples/Slim *& *The Supreme Angels) *You Blessed Me Still – (with Melvin Williams) |
|
|
Elsa Williams ‘FLORAL ARTISTRY’ Stitchery Kit … |
|
|
Elsa Williams ‘100 CATS & A MOUSE’ Cross Stitch Kit Cat lovers this your design. There is a 100 cats in this design and these felines comes in every shape, size, and color. Can you find the mouse? Look at the middle right side. Click the picture to see a bigger picture of this item. This Beautiful Counted Cross Stitch is from Elsa Williams, JCA and named “100 Cats And A Mouse” and designed by Vittorio Fiorucci. This Kit Is New And Has Never Been Op… |
|
|
Elsa Williams ‘TWO BY TWO NOAH’S ARK’ Cross Stitch Kit … |






